In my situation, I filmed the software on the monitor I was using to edit the clip I filmed. It is supposed to be setting the color space to prep for the actual color grading. There's a freedom within the color space, not some fixed result. The potential for "accuracy" (or whatever you're after) will be there, but is unlikely to instantly appear. 709 color space, so it's suitable *for* color grading. The CST is supposed to transform the Canon log color space into rec. But, I'm not a professional colorist, so.maybe brute forcing it is the easiest way and I just don't realize it.ĪnthonyReno wrote:The whole point of using a CST, at least in my situation, was to avoid having to do any more color-grading work than necessary.īut applying a transform is *not* "color grading" or intended as a substitute for it. It just seems like that would be the worst possible way to go about it. I mean.sure, I could have done it the hard way, and tried to brute force the log footage into rec.709. The whole point of using a CST, at least in my situation, was to avoid having to do any more color-grading work than necessary. At least, I am pretty sure that is what CST is used for, at least in part. I think this entire thread is about the issues of the transforms not working correctly.so, I mean, yeah.these transforms definitely have some issues. What are my expectations for a transform from log to rec.709? same as my above answer, only with the added point of making the exported footage youtube friendly. I was literally trying to match the footage segments to the screen and software I was editing it in. Closest match to the actual screen that was video'd. If that's the only objection, why not just adjust it? 709? These transforms commonly over-saturate footage. What are your expectations for a transform from log to rec. The "closest match" to what? And what is the logic behind using settings designed for a completely different color space? So far, this is the closest match I have managed.ġ) Project Settings: Davinci YRGB Color Managed I am working with footage from my Canon R6 mk II (which is to say, clog3). AnthonyReno wrote:Maybe a few other people can give this a test and see if it works for your footage.
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